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K&L Spirits Tasting Schedule:

Weds from 5 - 6:30 PM

4/23 - Redwood City: Ardbeg Single Malts (w/the chopper!)

2014 K&L Exclusive Scotland Whisky

1988 Littlemill 25 Year Old K&L "Exclusive Malts" Single Barrel Cask Strength Lowland Single Malt Whisky IN STOCK NOW!

1996 Bowmore 16 Year Old Faultline Single Cask Strength Single Malt Whisky IN STOCK NOW!

Bladnoch "Young" K&L Exclusive Heavily Peated Single Barrel #57 Cask Strength Single Malt Whisky IN STOCK NOW!

Bladnoch 11 Year Old K&L Exclusive Lightly Peated Single Barrel #303 Cask Strength Single Malt Whisky IN STOCK NOW!

Bladnoch 23 Year Old K&L Exclusive Single Barrel #1054 Cask Strength Single Malt Whisky IN STOCK NOW!

Talisker "The Speakeasy" K&L Exclusive Single Barrel Cask Strength Single Malt Whisky IN STOCK NOW!

2005 Glenrothes 8 Year Old K&L Exclusive "Sovereign" Single Sherry Barrel Cask Strength Single Malt Whisky IN STOCK NOW!

1997 Glengoyne 16 Year Old K&L Exclusive "Sovereign" Single Barrel Cask Strength Single Malt Whisky IN STOCK NOW!

Kilchoman K&L Exclusive Single Bourbon Barrel #172 Cask Strength Single Malt Whisky IN STOCK NOW!

Kilchoman K&L Exclusive Single Bourbon Barrel #74 Cask Strength Single Malt Whisky IN STOCK NOW!

2013 K&L Exclusive Scotland Whisky Still Available

1991 Cambus 21 Year Old K&L Exclusive Signatory Single Barrel Cask Strength Single Grain Whisky 750ml IN STOCK NOW!

2002 Bowmore 11 Year Old K&L Exclusive "Exclusive Malts" Single Barrel Cask Strength Single Malt Whisky 750ml IN STOCK NOW!

2005 Island Distillery 7 Year Old K&L Exclusive "Exclusive Malts" Single Barrel Cask Strength Single Malt Whisky 750ml IN STOCK NOW!

2001 Royal Lochnagar 10 Year Old Faultline Single Barrel Cask Strength Single Malt Whisky 750ml IN STOCK NOW!

1995 Glendronach 18 Year Old Single PX Barrel Cask Strength Blended Scotch Whisky 750ml IN STOCK NOW!

1994 Benriach 19 Year Old Single Bourbon Barrel Cask Strength Blended Scotch Whisky 750ml IN STOCK NOW!

1989 Cragganmore 23 Year Old Faultline Single Cask Strength Single Malt Whisky IN STOCK NOW!

1992 Longmorn 21 Year Old Faultline Single Cask Strength Single Malt Whisky IN STOCK NOW!

1987 Mortlach 25 Year Old Faultline Single Cask Strength Single Malt Whisky IN STOCK NOW!

1983 Miltonduff 30 Year Old Faultline Single Barrel Cask Strength Single Malt Whisky 750m IN STOCK NOW!


Tasting Tomorrow!

Don't forget to stop by the Redwood City store tomorrow for our Wednesday night spirits tasting with Glenlivet Single Malt Whisky!

They'll be pouring the 12, 15, and 18 year old expressions for free, of course. We start at 5 PM and finish at 6:30.

Free whisky rules.

-David Driscoll


That's Genius: The Way Forward - Part II

Picture it: you're a small spirits producer launching a new brand that no one's ever heard of. You've worked hard to perfect your product, you've invested countless dollars and hours into its inception, and you want to just hop in the car, stop by a few retailers and restaurants, and get the show started.  You wish to God you could go around peddling the bottles yourself, but a set of national distribution laws stands in your way. As a producer of distilled spirits, you have to hire representation for all transactions -- a third party that will act as the middleman between you and your customer, otherwise known as a distributor. And they'll be taking a cut of the profit, of course, despite how much or how little work they do on your behalf.

Unfortunately for you, small producer, every state requires its own distributor. That means if you're in Texas and you want your product to sell in California, you'll have to hire another third party within that state to handle your business. Maybe they'll move it to the front of their priorities, or maybe it will get buried under the weight of larger brands. The larger the access of the distributor, the more money they'll require for their services. Six months later, your enthusiasm has dwindled. You've sold six bottles in Washington, ten bottles in New York, two bottles in Florida, and you've made nothing. In fact, you probably owe them money. And, unlike produce or tupperware, you don't even have the option of a farmer's market or door-to-door sales. You must hire distribution if you want to sell distilled spirits. There's no going it alone.

Or is there?

What if there were a store in California with enough reach to handle your small production needs? A store with a reputation for quality, integrity, and exciting new releases with a website that garnered tens of thousands of hits every day? What if that store worked with distributors in the area to clear out-of-state products at lower margins, passing on those savings to the consumer and allowing you -- the producer -- to take your full margin without sacrificing percentages to a sales force? It's not like you have that much booze, anyway. You're never going to be Johnnie Walker or Patron. You just want to get your spirits into the hands of people who will appreciate them.

That would be nice, wouldn't it?

Luckily, such a store does exist and we're continuing to reach more small producers around the world who are more than satisfied with the market share that K&L can provide them. We can't offer bars and restaurants, national shipping, or large sales figures, but we can offer an audience of dedicated drinkers. We're at the point where brands are coming to us, rather than the other way around, and that's a great thing -- especially when we really like what they're offering. They say like attracts like. I'm always surprised at how sycophants tend to travel in packs, as do most personality types who require a certain aptitude for one another. The same tends to happen in the booze world -- the people who care deeply about quality all seem to find one another across this great divide.

Mike Groener, a small distiller in Austin, Texas, found his way to K&L via this spirits blog. He thought we might be a good fit for his new Genius Gin -- a self-fermented spirit made from local sugar cane and distilled on-site in small batches -- so he sent me a sample. I was immediately impressed. Not only was the navy strength gin fresh, balanced, and complex, but it wasn't redistilled from GNS purchased on the open market -- a real rarity in today's gin game. Mike wrote to me in a very straight-forward and honest manner:

I have been both inspired and intrigued by your spirits posts on the K&L blog. The way in which your passion for process and honesty shines in the writing is nothing short of brilliant. I personally find it the best source of information about upcoming spirits. In effect, I'd like to thank you for that continued commentary; it's vital for the continued elucidation of spirits production.

Further, I am too a spirits aficionado (being a producer in Austin, TX). We ferment from scratch, distill from two 26 gallon boilers, build our own cooling solutions, and use aquarium heaters to keep our yeast comfortable. I liken it to the producer who uses duct tape to reduce ring on a snare drum instead of using some $500 big budget solution. I ultimately hope our gins symbolize a shift in thinking, and represent a beautiful aesthetic on a shoestring budget.

Not only does Mike's gin symbolize a "shift in thinking" regarding spirits, the way in which we've managed to bring these gins to California customers also represents a new way forward regarding distribution. What if you chose exactly whom you wanted to work with, rather than allowing distribution to make those decisions for you? What if you could select a handful of key accounts that you felt best represented you and the nature of your spirits? That's where my head has been for the past few months. I'm not merely thinking about finding good booze anymore, I'm also thinking about how we can best distribute it to you -- the consumer -- in the most efficient, cost-effective way possible.

The Genius Gin from Austin, Texas is one of the best new craft spirits I've tasted in years -- and the price is right where it should be at $29.99. Austin is one of the most up-and-coming cities in the United States, with a cocktail scene and farm-to-table culture that now rivals San Francisco and New York. In 2011, Charles Cheung and Mike Groener created Genius Gin -- a cane-based spirit made entirely from scratch in a tiny warehouse with a tiny still. Utilizing years of tech industry experience, Genius ferments, distills, and bottles with immaculate attention to detail. The navy strength was inspired by Plymouth and Old Tom style gins; the botanicals span from lime leaves to lavender to create a classic gin profile that is quite simple and utilitarian in its profile. It's not some wacky new designer gin, but rather an honest, botonical-driven spirit that's distinct, yet familiar.

And, for right now, it's only available at K&L in California. Mike has been called "the Walter White of gin," obsessing over his chemistry in a Heisenberg-like fashion. Like Heisenberg's product, this isn't a gin you buy once, marvel in the uniqueness, and then decide you want to go back to "normal" gin again. Genius Gin will be a staple of the bartender's shelf -- at least those like-minded bartenders who care about where their booze comes from and who made it. I'm very excited that Mike chose us to help launch his product in the nation's largest craft spirit market. I think our new relationship is beneficial to Genius, to K&L, and to the consumer -- who is getting a damn good price. I'm also hoping that we're possibly creating a new way of doing business for smaller producers who recognize that a strong partnership with a similar mind might be the better route -- at least in the short term.

Whether this idea is a genius one remains to be seen. The gin, however, is indeed fantastic.

-David Driscoll


Booze School

I considered myself an academic at one point, but I fell out of it when I realized that my professors couldn't provide me with the knowledge I was looking for. That's not to say that they didn't know anything (because I learned a lot about German literature in graduate school), but rather they didn't have the answers I personally wanted. That was my shortcoming, however, not theirs. My expectations were way out of whack. They were teaching me the lessons I needed to become a scholar; I was looking for definitiveness. I was naive in a way – I wanted to read Herman Hesse and learn the truth. They could only tell me their opinions. There was no one true answer to their questions, despite what I thought. It was up to me to come with my own truth. Ultimately, that was the biggest lesson I learned in my brief tenancy as an academic and it might be the most important thing I've learned in the past ten years.

There are no definitive truths in the booze world – especially if you're relying on the people in the industry for your information. 100% of the producers in Cognac will tell you they don't use caramel coloring or any kind of sweetener additive. 99% of them are lying – to your face, no less. Yet, a new generation of drinkers wants certainty, definiteness, and clear cut answers to their drinking. We want to know:

- what's good and what's bad?

- what's authentic and what's designer?

- what's the considered the best and what's considered tacky?

- where do the best spirits come from and why?

- how did this producer make such a good spirit and why did this other producer not?

 So the people in the booze business come up with answers:

- it's the terroir 

- it's hand-crafted

- it's made in small batches

- it's craft

- it's organic

- it's our heritage.  

That's why, silly! Don't you understand now?

I remember sitting in film class during a lecture with Jean-Pierre Gorin (a former Godard colleague who had no problem telling us we were full of shit) after watching Scorsese's Mean Streets. He was going on about the scene (in his thick, cigarette-weakened accent) where DeNiro gets on top of the pool table and begins swinging a cue at his would-be attackers, calling his movements "serpent-like, a snake, a demonic transformation." We all took notes. The next week, when we all came back to present our "original" papers in front of the class, every single student referred to the "serpent-like" DeNiro "transforming into a demon" in the pool hall. Gorin buried his head in his hands. "You're just repeating what I told you!" he screamed furiously. "Did anyone come up with their own observation?"


Later on, as a teacher, I always remembered that moment when I watched a student simply repeat my opinion back to me, rather than think deeply to derive one of their own. I would tell them: "That sounds good, but what do you really think?" Lately, as a booze professional, I've been thinking about that experience when confronted with representatives who are tasked with teaching me about their products. I feel like they're simply repeating buzz words they've been told, rather than actually teaching me something important (or even true!) about their booze. "Our gin tastes this way because we've been making it in small batches for decades." But who knows what the answers actually might be? Not me. I know what I've been told, obviously, but as a friend in the industry told me years ago: "Assume everyone is lying to you." 

Despite the advice I was given, I'm not pessimistic enough to think you can't believe anything you read or hear. It just means you have to use your brain. Wine and spirits are fascinating products with rich histories and inspiring legacies. It's only human to be captivated by the vast scope of all there is to know. I wake up everyday, bursting with excitement at the fact that I get to learn more about alcohol when I go to work. But it's important to actually learn something rather than just repeat what other people say. It's important to listen to what the experts tell you, but then do your own research on the side. There's nothing more annoying than a serial contrarian, but a close second would be an insistent fanboy. You've gotta land somewhere in the middle.

If I were to open a booze school it would have one lesson: always make your own judgements, rather than simply mimic the actions and opinions of others. 

That's what Gorin was trying to teach us about film as well.

-David Driscoll


Some Final Thoughts

I pulled out the stock market trader analogy at dinner again last night: the idea of buying when the market is low and selling when the market is high. Scottish single malt whisky is like Apple stock right now – you want in? You'll be paying a premium price per share. American whiskey is relatively inexpensive, but there's no stock available. French brandy, on the other hand, with backwoods Armagnac producers selling off 20+ year old barrels for American whisky prices, is where you want to buy in. If you don't like brandy and you only prefer to drink Scotch, well.....we don't have good news for you. Our first round of pricing came back for some of the casks we tasted and they're not cheap. With the Pound/Dollar ratio in the toilet and the scarcity of quality mature whisky where it is, don't expect many deals with this year's crop. We're looking into a few strategies, but the price is the price. These are the moments when I always tell drinkers to diversify their portfoio if they want value. Try developing some new tastes for different spirits. There are plenty of new adventures out there. Look at what we've been tasting over the last week, for God's sake! 

With whisky bottlers dipping into their younger stocks and realizing there are some tasty selections available to them, it's clear that necessity is the mother of invention. The world wants more booze and producers are looking to give it to them. But you don't have to settle for less. That's the whole point of us being here right now – to find out the truth behind what's being said. Is there really not much mature whisky available? It seems so – at least for us to purchase. But so much of what people "want" to drink is based on what they've been told is good. Old whisky is better than young whisky. Grand Champagne Cognac is better than Bon Bois. Grand Cru Montrachet is better than Premier Cru Chablis. These aren't so much truths as they are simplifications, as in most of the time these generalizations are correct (according to the experts). But who's going to question them? Who's going to actually taste through all the examples to see if the rule holds true? Who's going to do side-by-side comparisons to look for the exceptions? Because if Bon Bois Cognac isn't as good as Grand Champagne then it shouldn't cost as much (wink wink). 

One thing that's clear to me after the past two weeks is that the wine and spirits industry is still dominated by a classism that is hardly ever checked. It's that built-in reputation for quality, right or wrong, that allows shitty Grand Champagne producers to sell their shitty Cognac for $100, while the Borderies guy with great juice is forced to settle for less. The branded names of whisky's pantheon can skate by with mediocre booze that no one questions because, hey, they're supposed to be the best! Who are you to say otherwise? Who am I? I'm just a loud-mouthed guy who works in a liquor store. What do I know? I know that you can drink good booze for great prices if you're willing to look outside the box, so ultimately I'm fine with these classist beliefs. 

The longer people keep thinking they're drinking the best, the more we can keep flying under the radar, providing you – our customers – with great stuff at great prices.

That's it. We're off to the airport. See you later.

-David Driscoll


France – Day 7: The Way Forward

Today we had two final appointments in Cognac; the first was with a negociant (independent bottler) in the town of Saintes called Grosperrin. We were impressed from the moment we walked in to their downtown retail store and saw their carefully curated selection of fine spirits. In France, you can be a retailer, and a distributor, and an independent bottler -- there are no legal restrictions separating these parties. Therefore, Grosperrin has its finger in a number of pies. One of them is the new forward-thinking Cognac market -- a collection of producers and bottlers who are exploring new varietals, brut de fut (cask strength), less caramel coloring, and more modern marketing.

Walking down the stairs and underneath the main store, you'll find a number of casks and demijohns full of various Cognac expressions, purchased from various estates and warehouses across the region. Grosperrin puts the name of the appellation, producer, vintage, and varietal on each of their independent bottlings, making them one of the first of their kind in the business. We tasted a few very appealing selections and we think at least two or three of them will make it into K&L. The pricing was quite fair for such intriguing spirits.

Our last appointment was with a larger Bon Bois producer called Vallein, who has multiple stills and sells much of its liquid to Courvoisier. We had run the Grand Champagne and Petit Champagne gambit as far as possible. It was time to venture out further into the outer regions of Cognac, despite our disappointing experience yesterday. There had to be some quality hooch out in the countryside.

The estate at Vallein was rustic and beautiful, almost gothic. We almost got the feeling we were in a vampire movie while traversing the property. 

Stephane added to that feeling. He has piercing, sky-blue eyes, intensely-dark pupils, and some very-defined incisors. He could have been the next Christopher Lee, but he decided to marry into a large Cognac-distilling family and take up a quiet existence making fine spirits. We sampled a large number of brandies from various properties owned by Vallein, which had been distilled and matured separately into different expressions.

After two days of driving for hours on end, I realized one important fact about Cognac: it's very, very big! There are so many producers distilling brandy that we've barely scratched the surface of what's available. The orange and yellow-colored sections of the above map are Grand and Petit Champagne; the smaller off-white section above them is the Borderies. The rest of the outer blue region is all Fins Bois and Bon Bois, and I learned there are even islands off the coast of the Atlantic that also count as Cognac-producing regions.

We're seeing an increased awareness from a new generation of producers towards the expanding, boutique spirits market and a number of young distillers that are looking to reach those customers. I think the work we've done over the past few days will allow us to bring in some of those Cognacs for the K&L consumer base. We were very impressed with much of what we tasted and we think you'll be excited by what they have to offer -- especially for the prices we're looking at.

That's it! We're done. We've got two late flights tomorrow, which means we can sleep in for once! Then we can mosey our way over to CdG airport, catch the connector to Heathrow, and fly our behinds back to the west coast. I'll be back in the store this Saturday if anyone wants to talk shop.

We hope you've enjoyed following along with our journey. Now we hope you'll enjoy the fruits of this labor.

-David Driscoll

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