A Short Break

I travel for all of the same reasons I drink: to get away; to relax; to visit new cultures and learn more about them; to create new experiences; to meet people and understand how they live; to have fun. Travel and booze (and food) go hand in hand. You’re waiting at the airport; why not have a drink? You’re on the plane; why not have another one? You’ve landed and arrived at your hotel; time to hit the bar! You’re making dinner plans; let’s check the wine list. Drinking in foreign destinations is more anthropological than it is alcoholic in my opinion (unless you spend all that canteen time staring at your iPhone). You learn about about local customs, preferences, habits, styles, and nuances when you sit at the bar. You can watch the bartender work and see what people there are ordering, what they’re wearing, and hear what they’re talking about. You won’t learn anything nearly that humanistic in the souvenir shop or at the hotel lobby Starbucks. To me, wine is travel. Drinking on the road is education. My life at this point is a tapestry made up of those memories—the more I travel, the more I drink, the more I know who I am. Or maybe, who I want to be.

See you all in a bit.

-David Driscoll


We All Got Dressed For Bill

If you didn't know who Bill Cunningham was then there's very little that I can tell you beyond today's obituary in the New York Times, but I can say that he was one of my heroes. Maybe you've unconsciously browsed past the documentary about him while scanning your Netflix options (and if so you should go back and watch it), or maybe like me you've been watching his little five minute video clips each Sunday on the New York Times web page; his high-pitched, crackly voice brimming with enthusiasm, his thick East Coast accent embellishing his photos with personality. I've been going to New York regularly since my early twenties, especially since I started getting more into fashion and design. I'm a magnet for celebrity encounters for some reason whenever I go. I run into Bravo housewives and famous actors like it's predestined, but the only person I ever actively searched for was Bill Cunningham. My wife and I would scour the streets as we walked, hoping to catch a glimpse of Bill out on his bike snapping photos. As I left the house this morning, thinking about his Sunday column, I said to her: "Maybe we'll see Bill this time around." We're flying to New York tomorrow morning.

But then I saw the news while checking the web in between duties here at the store. Bill died of a stroke today at the age of 87. When I first started doing the Drinking to Drink interview series, Bill was one of the people I most wanted to talk with because he was such an independent thinker, but then I found out he didn't drink so there wasn't really any reason for him to do the piece. He was a humble and dedicated professional. He wanted to be the one documenting, rather than documented. I admired greatly the way he handled his work and I related to how serious he took it. Being a fashion photographer was his life. He put everything into it. And he was wonderful.

-David Driscoll


What Does Brexit Mean For Scotch Drinkers?

I feel a bit uncomfortable commenting on a subject like this so new and not yet fully understood, but since I'm getting bombarded with questions about this I figured I'll share with you what I know. We can't fully comprehend what's going to happen with Brexit and Scotch exports until we know two things:

1) What the UK's new trade negotiation will be with Europe and the U.S. 

2) Whether or not Scotland will now hold a referendum and vote to leave the UK and rejoin Europe.

The first thing I can tell you with absolute certainty is that the price of Scotch is not going to go down with the weakened British pound. If anything, it's going to go up! Why would that be the case? Because when you the consumer buy Scotch you're not buying it directly in pounds from a British producer. You're buying it in dollars from a retailer, who bought it in dollars from a distributor, who bought it in dollars from an importer likely owned by the multinational corporation that owns the distillery. If there's any gain to be had on the currency exchange, the importer/producer is going to keep that profit for itself. What is possible, however, is that taxes or embargoes might be higher as the UK faces a different trade scenario. Since the large majority of Scottish single malt is exported, the idea of a more difficult path to market might actually lead to price increases to counteract reduced sales. But, again, this is all hypothetical.

Where things might get interesting, however, is with our UK/Euro direct business. Since we are buying many products directly we will most definitely be passing on any savings on currency to you. But that's only if the pound continues to struggle. We saw the same thing happen with Armagnac prices when the Euro dropped and we were able to offer some very nice deals to our customers. That's the nice part about doing business with a retailer that buys from the source: there are no middlemen taking their cut and keeping the currency gains (which is always a good thing, Brexit or no Brexit). If the pound stays low, we might increase the amount of direct business we do in the face of greater value. So in the case of K&L exclusive whiskies, you might see some serious value coming your way as early as next month. However, I wouldn't expect to see any deals with the major players as they start scrambling to access their changing international trade routes. 

-David Driscoll


New Faces from Gascony at K&L

Ask someone why Kentucky whiskey is referred to as Bourbon and they’ll likely tell you “because it comes from Bourbon County.” Not everyone agrees with that explanation, however. Some historians believe that the corn-based spirit was named after Bourbon Street in New Orleans where many a glass of American whiskey has been consumed over the years. Regardless of why it's the case, there’s no denying that the county, the street, and the beverage were all derive their origin from the name of the French royal family—the House of Bourbon—which began its reign on the French throne with King Henry IV in 1589. Henry IV was born in the town of Pau, formerly part of the kingdom of Navarre and currently part of southwest France near Armagnac country. His mother Jeanne d’Albret, Queen of Navarre, commissioned a hunting lodge in 1540 to be built in nearby Mauvezin on behalf of her future child. The property was called Château de Briat and Henry inherited the manor when he took the throne of Navarre in 1572. That's where I spent a few days this past December while traveling through Armagnac region.

Twelve years later his ascendance, Henry of Navarre found himself in a bit of a pickle. You see, the son of Jeanne d’Aubret was baptized as a Catholic, but raised as a Huguenot by his mother. Henry III was a Catholic monarch sitting on the French throne, but upon the death of his brother, the Duke of Anjou, the next in line was the now-Protestant Henry of Navarre. This little quandary caused all kinds of crowning chaos culminating in numerous wars of religion, perhaps the most significant of which was the Battle of Coutras in 1587. Henry emerged victorious from the fight thanks to the help of a man named Arnaud de Mâtines, a fellow officer in the Huguenot army who saved Henry’s life during the clash. Henry of Navarre would succeed to the French throne as Henry IV two years later upon the death of Henry III.

As a thank you gift for his efforts, Henry IV gifted the hunting lodge of Château de Briat to Arnaud de Mâtines. Almost three hundred years later, it was purchased by another famous name in the booze business: the Baron de Pichon-Longueville. Known for his world-famous wine château in the Pauillac region of Bordeaux, Baron Raoul added the Armagnac-producing estate to his portfolio, eventually passing the property down to his daughter Jeanne, who would pass it down to her children thereafter. Today Château de Briat is operated by Jeanne’s great-grandson, Stêphane de Luze, who represents the fifth generation of the family to make Armagnac at the former hunting lodge of Henry IV. While he may look aristocratic with his tall, thin frame, his flowing hair, and his perfectly-tailored country couture, Stéphane is truly a dude's dude. We had an absolute blast drinking Armagnac in his historic estate, cracking jokes as boys do, wandering the property as we talked history and drank brandy.

The sun was going down behind the forested hills as we arrived at the château. You could hear the gunshots in the distance from nearby hunters likely taking aim at a few pheasants or perhaps a wild boar. Château de Briat was strategically constructed in a wilderness populated by game of various types. As if hanging out with the descendent of Baron de Pichon-Longueville wasn't cool enough, we were going to do so on royal ground. I don't think it gets any more romantic than that. A historic country manor, a roaring fire, a few glasses of Armagnac. Voila!

Of course we weren't just visiting Château de Briat for the sake of atmosphere and hard drink. No, we were there to taste some of the newer casks he had recently moved into nearby storage and potentially work out a deal. The brandies being made by Stéphane and his wife Julie are truly fantastic, full of rich oak flavor with plenty of spice and lift on the finish. We were joined in the chai by his young son Balthazar who was fully ready for la chasse—a toy bow and arrow in his hand, and a plastic sword in his scabbard. We tasted through more than twenty different vintages in search of something we might be able to use for K&L, as Stéphane dropped the hose into barrel after barrel. There were two vintages that struck me as both very distinct and very different from one another in style, which is great for budding new Armagnac drinkers who are interested in exploring a variety of different styles. One was incredibly rich, dense, and thick on the palate. The other was more lean, fruity and easy to drink—almost like a wheated Bourbon. 

Six months after my visit to Château de Briat, the two expressions have arrived and our currently making their way to each of our retail locations. There are two single vintage expressions: a 2001 fourteen year old edition and a 2005 ten year old release. They could not be more different from one another. Most of the Briat distillations are blends of baco, folle blanche, and colombard, so I don't think it's the çepage that ultimately makes the difference. Rather it's the extra time in wood and the character of the vintage at play. The 2005 is very Weller 107-esque with light oak and vanilla at first, but a fruity and soft palate thereafter and plenty of youthful vigor. It's very much like a Bourbon (coincidentally made at the former Bourbon hunting lodge). The 2001, on the other hand, is dark, dense, concentrated, and rich, full of stewed fruits and brandied cherries, finishing with dark chocolate and caramel. Both are delicious. Both are distinct. Both are welcome additions to our shelves. If you're got the brandy bug as of late, you might want to try one of each so you can see just how different Armagnac can be.

2001 Château de Briat 14 Year Old K&L Exclusive Vintage Armagnac $69.99

2005 Château de Briat 10 Year Old K&L Exclusive Vintage Armagnac $54.99

-David Driscoll


The Grace of Japanese Bartending

When I went to Japan in the Fall of 2014 with my friend Chris Fu from Anchor Spirits (importer of Nikka to the U.S.), both of us were just completely taken aback by the bar experience. It's all we could talk about. Getting a cocktail in a high-end Tokyo bar was almost like getting a massage in how personal and intimate the exchange was. You didn't dare talk. Each drink was ceremonial. The bartenders were absolutely customer service oriented, on a level that Americans can never and could never (and will never) understand, and their elegance of movement was almost ballet-like. It's tough to explain if you haven't been there, but now I don't have to explain it. My buddy Alan Kropf (also from Anchor) just put together this little documentary on Japanese bartending that absolutely hits the nail on the head. Alan and I have an interesting relationship in that both of us seem to always be in awe of the other. But he's definitely the more talented one. His photographs and videography always inspire me to be better, and this little piece here is just another example of his prowess.

Check it out. And then book your next flight to Tokyo.

-David Driscoll