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Sunday
Mar152015

Sharing is Caring

What a lovely weekend here in Northern California! I'm resting in Modesto, sitting in the backyard with my parents, drinking Bloody Mary cocktails with the new St. George chile vodka. It's such a deliciously potent spirit. Seeing that I had time for a brief respite, I thought I'd bring some treats from the Bay over to the Central Valley.

It was about time to use the black truffles I'd smuggled back in from Paris as well, so my parents and I whipped up a lovely pasta dish. Sharing is caring, and my parents have little to no experience with truffles, so it was quite an experience. When talking about their most-prized bottles of whisky, a lot of customers tell me,  "I don't waste the good stuff on my guests. I save the good stuff for me," because they don't want to share sacred bottles of booze with people who won't appreciate them. I get that, but I think I'm the exact opposite type of person. I'd rather eat truffles with people who have never had them before, just like I'd rather drink Port Ellen with someone who had no idea what it was. All the pretense goes right out the window that way. It's just pure wonder.

-David Driscoll

Saturday
Mar142015

Worth It/Not Worth It

One thing you quickly learn in the liquor retail business is that not only do different people have different tastes and preferences for flavor, they also have different thresholds and opinions concerning value. One customer may not want to spend more than $30 on a bottle of whiskey, while another may not want to spend less than $100. If you're not able to effectively communicate value (or whether a whisky is "worth the money") along various price points and levels of quality, then you're not going to be much help to your clientele. You need to be able to see things from various points of view, and if you don't have the requisite experience to do so, then really you're just talking out of your ass. One customer may want detailed tasting notes and to compare pricing with other competitors. Another might care more about the uniqueness of the product, or the exclusivity rather than the price. As one of my customers told me yesterday: "In the end, this is all going to be filtered out by my kidneys and end up in the toilet. I'm literally pissing my money away, so you might as well give me an experience."

There are two words that always need to be included when you use the terms worth it/not worth it: to me. For example, you can tell me that the Whistle Pig "Boss Hog" isn't worth $174.99 to you (and I might even agree with you), but I've got hundreds of other customers who would say otherwise. Why are they willing to pay that much for a 13 year old rye whiskey? Because they think it tastes good and they think the price matches the qualitative level. In my opinion, being an effective retailer doesn't mean you tell people what's good and what isn't (that's for people trying to sell themselves, rather than a bottle of whisky). To me (key words), it's about trying to understand what people want and then giving it to them. To do that, however, you need experience.

When I was in Paris a few weeks ago, I had just finished up lunch with my wife at Pret a Manger at the end of Champs Elysée, when we stumbled upon this placard. When I say we had "just finished up lunch", I mean we had stopped eating literally two minutes before walking across the street and noticing the Maison de la Truffe.

"Oh shit," I said to my wife. "I've never really had truffles before and I want to."

"We can come back tomorrow, right?" she said.

"No, there's no time. We either do it now, or we don't do it,"

"But we just ate."

"Can you eat again?"

"Look who you're talking to."

So we went in and had a second lunch, mere minutes after finishing our first one. I wanted the experience of ordering a $75 bowl of risotto. Why? Because I wanted to know what freshly-shaved black truffles tasted like. If you don't know, then you can't effectively tell customers which wines would pair best with a truffle menu, now can you?

Was it worth it? Totally, because now I know, and as I once learned from G.I. Joe in front of the TV every Saturday morning, "knowing is half the battle" in the retail gig. The other half is translating that knowledge into a recommendation that your customer will ultimately enjoy.

-David Driscoll

Friday
Mar132015

Fun New (North) American Whiskies

The next iteration of Diageo's Orphan Barrel series has arrived. I haven't tasted it yet, but it's in stock and ready to rock! David OG I believe will get tasting notes in shortly, as he did get the chance to give it a whirl.

Orphan Barrel Forged Oak 15 Year Old Kentucky Bourbon Whiskey $69.99- The new offering from Diageo's Orphan Barrel operation is a 15 Year Old Kentucky Straight Bourbon Whiskey distilled at the Bernheim Distillery in Louisville. It features a very low rye content in the mashbill and is already selling out across the country. These Orphan Barrels are the reminisce of long defunct brands of bourbon or blended whiskey, that have found new life in this special series. Sip on this and wonder where this whiskey might have gone otherwise. I think we're all glad it ended up here. Limit 2 bottles per customer.

We’ve also got two new arrivals from Jim Beam: a new 100 proof Bonded version of the standard recipe, and a beefed up 45% rye whiskey. Both are outstanding values.

Jim Beam Bonded 100 Proof Straight Kentucky Bourbon Whiskey $18.99The beast is awakening! Finally, Kentucky’s largest Bourbon distillery is using its size and scale to create a fantastic, value-oriented, high-quality whiskey that anyone can enjoy. For less than $20, this is my new go-to for mixing cocktails and making rocks drinks. It’s Beam flavor through and through—creamy corn, sweet vanilla, and that spicy, grainy finish—just turned up to 100 proof. It’s a no-brainer for the money.

Jim Beam Pre-Prohibition Style 90 Proof Straight Kentucky Rye Whiskey $18.99The new 90 proof rye formula is definitely going to make a splash in what is still a rather desolate rye market. The spice is turned up a notch and the pepperiness of the grain really comes through, while maintaining richness. For a few dollars less than Bulleit, it should cause many a discerning drinker to ponder switching over. A must for Manhattans.

Wiser's 18 Year Old Canadian Whiskey $54.99 - While I feel the Lot 40 continues to be a great crossover or gateway whisky for American whiskey fans looking to explore something new, the Wiser's 18 year is Canadian through and through—and that's a good thing. People who change their personality to fit what others want them to be are uninteresting and boring. That being said, I would be disappointed if 200 years of whisky tradition were changed and altered to capitalize on the current cask strength American whiskey fad. The Wiser's 18 is full of pencil shavings and rye spice on the nose. It begins with soft oak on the palate, and quickly moves into a peppery, spicy, rye-dominated flurry of flavor that finishes with accents of baking spice and lots of tingly, tangy goodness. If you're looking for a replacement to that 18 year old Stitzel-Weller Bourbon you drained two years ago, then look elsewhere. If you're looking to try one of Canada's legendary 18 year old whiskies for the same price as a 10 year old Springbank, then this is definitely up your alley. It's as good as anything I've had from Canada thus far, which I'll admit isn't much, but it has me very excited for what else may be lying in wait.

-David Driscoll

Thursday
Mar122015

Come Taste With MBD Master of Malt: Iain McCallum

I've been really impressed with both Beam and Suntory since they joined forces to take on the world's biggest booze brands. The Beam Bourbon portfolio has really started moving in the right direction and now I've learned that the Morisson Bowmore whiskies are also getting the rub. I had the chance to taste through some of the new Auchentoshan and Glen Garioch whiskies this morning and I was quite taken aback. When they told me that former blender and current Master of Malt Iain McCallum was coming into town later this month, I said, "We should let everyone taste how good these whiskies are with Iain as a guide." So we put together this little event for you.

Same set up as our tasting with Bruichladdich last week, but with more whisky! Same price too!

Morrison-Bowmore Tasting w/Iain McCallum Event @ Donato, Tuesday March 24th, 2015 - 7-9pm $10 - Come and taste an extensive lineup of single malt whiskies from Bowmore, Glen Garioch, and Auchentoshan distilleries along side former MBD blender and current global brand ambassador Iain McCallum. This will be a sit down event with light food. There are no paper tickets for this event, your name will simply be on a guest list. Only 60 spots available.

Looking forward to seeing you there!

-David Driscoll

Thursday
Mar122015

More on Canadian Whisky: Hiram Walker

As I was saying last week, I got the chance to visit with Hiram Walker master blender Don Livermore recently and was thoroughly impressed by his knowledge. You ask the guy one question and he gives you ten questions worth of answers. He's fantastic! I'm of the firm belief that Canadian whisky is going to do some big business in the United States this year. There's too much good stock north of the border and the prices are simply too affordable to pass up. That being said, there's too much I don't know about Canadian whisky to make educated and confident decisions about what direction K&L should take as a company. How is Canadian whisky made? What makes it different from other rye whiskies? Why does it taste the way it does? And why do Canadians like their whisky that way? These are the main questions I needed detailed answers to.

That's why I decided to phone Don Livermore and recreate the conversation we had in the Redwood City store for everyone's benefit. He was hanging out in his office at the Hiram Walker distillery in Windsor, Ontario—just across the river from Detroit—and was happy to take the call. Don is a super nice guy and he's very eager to help. I'm sure he'll continue to be a great source of information for us as we make our foray into the Canadian whisky category. As I'm planning on making a large purchase of Wiser's 18 in the near future, I wanted to make sure I had all my ducks in a row concerning its make-up—my i's dotted, and my t's crossed. Therefore, that's where we begin our chat.

Check out our conversation below: 

Hiram Walker distiller & blender Don LivermoreDavid: Can you tell me a bit about what goes into the JP Wiser’s 18? I know there are going to be a lot of people interested in an 18 year old Canadian whisky, but they’re going to want to understand more about it.

Don: With Canadian whisky we ferment corn, rye, wheat, and barley separately, distill them separately, age them separately, and then blend them together at the end. That is why they have a job like mine as a master blender. The distilling of Canadian whisky can be done by a number of different techniques. There are three types of distillates that we make at the JP Wiser’s distillery. One pass through a copper column still produces a full and robust spirit from all the grain characters and yeast congeners.  This is similar to that of a Bourbon distillation. A second pass through a column still removes most of the characters to make a lighter-smoother base whisky, traditional to the early Canadian whisky styles. We can also use pot distillations to create concentrated distillates that add unique characters and complex aromas to our brands. So in Canada we can use either a single column distilled spirit, double column distilled spirit, or a combination of column then pot distilled spirits. JP Wiser’s 18 year is a blend.  The majority of the blend is a double column distilled corn whisky which makes a smooth tasting spirit. There is an added amount of single column distilled rye whisky which gives a subtle peppery nuance or a spice to the blend.  All the whiskies are aged entirely in used Canadian whisky barrels. I’ll often describe the brand as: the taste of the angel’s share.

David: What about the taste of rye? How important is that particular grain to the flavor?

Don: One thing that drives me crazy is when people ask me the percentages of the grains we use, either for mashbills or distillates because via the distillation process we can concentrate up the character of rye or we can strip out the character of rye.  The more pertinent question is how is your whisky distilled?  If the product is double column distilled it strips out the character of rye, if the product is column distilled then pot distilled then it concentrates up the character of rye. I like to say: we’re brewers as well as distillers. 

David: Can you expand on that a bit?

Don: Sure, we all distill differently and we pull out things at different boiling points. The tradition of Canadian whisky, if you go back into the history books, begins with a patent made by a company called Gooderham & Worts that started double-distilling their whisky through two column stills to make a lighter smoother whisky in order to compete with moonshiners. The consumer didn’t want the moonshine taste, so the double-distillation made a lighter, smoother style. In 1830, there were about 230 registered distillers, and by the time we get to about 1870 there were only about fifteen left; and those were the guys making that lighter-style spirit. That’s why Canadian whiskies tend to be light and smooth. While they primarily used corn, they would also utilize the properties they had around their distilleries, which grew rye. So they would make their rye whiskies; either single column distilled, or column distilled and pot distilled—which concentrates the character of the rye. 

David: The JP Wiser’s 18 year is made primarily from the smoother base whisky, right?

Don: The 18 year is largely that double-distilled spirit, traditional to Canadian whisky. In aging our whisky there are four things that happen in a barrel; one of them is a chemical reaction. Oxygen going into a cask will first displace the whisky, taking the angel’s share, but when oxygen hits ethanol it turns it into something called ethyl acetate. Ethyl acetate smells and tastes like a green apple. It gives you that tingly note on the palate. When you age something in a barrel you expose it to oxygen, and for us we create about ten parts per million of ethyl acetate per year. If you can remember your science days from high school, chemical reactions are induced by heat. Here in southern Ontario, I’ve never seen a place that ages whisky that gets as extreme of a temperature change as we do. The warehouses have no electricity because they’ll go “Boom!” if there’s a spark, so that change of temperature expands and contracts the barrels—the oxygen going in and out—during the warms days and cold nights. When the warm air comes in and interacts with the cold whisky, we get condensation on the outside of the barrels which ends up rusting the hoops. When the Scotch guys come to visit our warehouse, they ask: “Why are all the hoops rusted on the outside of your barrels?” It’s the drastic change in temperature, which you don’t see in Scotland. 

David: So the flavors in the JP Wiser’s 18 come from that reaction?

Don: That’s the taste of the angel’s share, the oxygen interacting with the whisky, the ethyl acetate, that tingly, green apple character, which ultimately becomes the dominate character of the whisky.

David: I like that you keep using the word “tingly” because when I wrote the tasting notes for our website that’s exactly the word I used, and it’s not a word I use often. It makes me feel better now about my description.

Don: Remember this tingly character because you’ll find it in Scotch, but it often gets buried under the peat or the sherry. You’ll find it in Bourbon, but it’s often buried under the grain and the yeast characters because they only column distill it once. 

David: That’s interesting because some discerning folks consider the double-distillation to be a drawback rather than an attribute. In this case, it’s actually part of the tingly character.

Don: With the double-distillation you create the lighter smoother style, and that’s right there in your face. After 18 years in wood, you really get the taste of age in the JP Wiser’s 18. That’s what highly-aged whisky should taste like, in my opinion. 

David: I think there are a number of whisky drinkers out there who would like to understand how the JP Wiser’s 18 differs from another of your famous whisky—the Lot 40.

Don: Right, the Lot 40 is 100% the polar opposite. It’s 100% rye whisky. The rye is passed once through a column still and then a pot still. When yeast ferments, it makes fruity, floral, green grass, soapy, and sulfur characters. We can control the fermentation’s temperature, the nitrogen level, the pH, grain levels or a number of other things in order to influence the yeast to make these characteristics. We do a warm ferment that helps the yeast grow quickly and ultimately make alcohol quickly.  After 3 days of fermentation we achieve 8% abv.   When you put that fermented rye mash once through the column still you keep the grain character (spicy), as well as the floral, the fruity, the green grass, and the soapy notes that yeast has made. What’s missing? The sulfur. Where does it go? It actually salts out in the copper column still to create copper sulfide. So at the end of the week we actually have to clean out our stills to remove the salt residue.  We then pass the column distilled liquid through a pot still for Lot 40.   

David: The JP Wiser’s would not fall into that category.

Don: Right, with the JP Wiser’s we strip out the grain character. I could make that whisky from corn, rye, wheat, or barley and you wouldn’t know the difference. A brand could call itself 100% rye, but the question, of course, is: how was it distilled? If they say it’s double-distilled through two column stills, then what’s the point of calling it rye? The rye character has been stripped out. Remember we’re brewers as well as distillers. When you’re distilling, you separate those compounds out at different boiling points. Or, you can concentrate them, which would apply to the Lot 40. You column distill it, take that liquid, and put it into a pot still. You know about heads and tails from there; the low boilers come out first, those are your green grass notes. We cut that and take it out of the whisky. What comes over next are the fruity characters, then the floral characters, and as the pot gets hotter, next come the grain characters. What’s left at the end are the soapy characteristics from the yeast, from the fatty acids in the cell wall. Those are your tails. 

David: And that intensifies the rye flavor?

Don: Yes, you’ve taken out the green grass and the soapy part, and you’re left with the fruity, the floral, and the rye notes. The more pertinent question is, however: how much 4-ethylguaiacol is in the whisky? Rather than ask how much rye is in the mashbill, this is what people should really be asking. That is one of the phenolic compounds that actually bring out the rye spices. This is what I mean when I say we’re both brewers and distillers, separating the compounds at different boiling points.

David: Can you explain that a bit more?

Don: Sure, so when you’re pot distilling, you’re raising the temperature of the liquid. As you get to 21oC acetaldehyde will turn into a vapor, come over into the condenser, and that becomes your heads. Dimethyl sulfide boils at 37oC, acetal at 55oC, so we’re cutting out those components. Once we hit around 77oC, that’s where the ethyl acetate comes out—that nice fruity character—and that’s where we start doing the heart cut. 

David: So when you’re distilling any grain, you’re really looking for the boiling points of those characters that yeast makes, which you will then use to dictate the flavor of the spirit. 

Don: You got it. So at 235oC, you’ve got the 4-ethylguaiacol, which is right near our tails cut. The soapy characters are around 260oC. Pot distilling is basically like boiling soup—it’s not that difficult. I will also say that the temperatures can vary from still to still as the pressure of the still will also influence the boiling point of each compound, but you get the idea that yeast or grain characters are separated on boiling points.   

David: So what do you say to folks who are uninterested in Canadian whisky—things like JP Wiser’s 18—because they feel the grains are unimportant to the flavor? 

Don: With Canadian whisky it’s more about the taste of pure age than the taste of the grain. It’s the angel’s share flavor, the reaction of the ethyl acetate, and that green apple, tingly flavor we talked about. Obviously, you’re going to get vanilla, caramel, and toffee, along with that little bit of peppery rye that we blend in. That’s the Canadian whisky style. This is what aging does, and in my mind it doesn’t get any better than that. With the climactic changes we get here in Windsor, it really drives home that flavor. I always tell people: taste the JP Wiser’s if you want to know what good, aged whiskey tastes like. There’s nothing else getting in the way of that flavor. 

David: Basically, it’s the pure taste of concentration through evaporation?

Don: Yes, along with reaction—that oxidative reaction we talked about—so concentration along with reaction.

David: The JP Wiser’s portoflio is entirely made from blended whiskies, right? It’s not just one in any of the expressions?

Don: Right, the JP Wiser’s has the double-distilled column still whisky and the single column rye. We don’t use the pot distilled whisky in it. We want the dominate character to be the age, not the rye. Not everyone likes the peppery flavor of rye, so we like to give people options.

David: When you’re double-distilling to ninety-four percent, do you think that detracts from the quality of the spirit you’re making? 

Don: The spirit we’re making is heavier than the heaviest vodka, so it’s not lacking in character. We want it to be light and fruity and smooth. Plus, we’re eventually blending in some of the rye spirit. We’re still working with flavor compounds here. 

-David Driscoll