My favorite living actor was found dead today. This is my tribute: one of my favorite scenes in any movie of all time. All of us in the UCSD film department were obsessed with this sequence.

RIP Mr. Hoffman.

-David Driscoll


New Benriach Whiskies

It’s no secret that Glendronach is becoming one of the most respected single malts on the market, with more and more consumers becoming aware of its fantastic quality. What many people have seemed to miss, however, is that the other distillery owned by Glendronach (that would be Benriach) is releasing whisky every bit as good as Glendronach, if not better much of the time. While I love me some sherry, there’s not a distillery in Scotland that can compete with Benriach when it comes to value, flavor, and diversity combined. You can get light, heathery whisky. Dark, rich, sherry-laden whisky. Oily, smoky, Islay style whisky, too. And they’re all fantastic.

Check out what just landed…..

BenRiach 12 Year Old Horizons Triple Distilled Single Malt Whisky $79.99 - This lovely, round and supple, triple-distilled malt from Benriach is rich with barrel spice and vanilla, but soft with stonefruit on the finish before the sherry kicks in.  It's a lovely new addition to their already stellar line-up. Finished in Oloroso butts, it has a chewier, more savory ending that more resembles its sister distillery Glendronach, than what we're used to tasting from Benriach. A fantastic whisky with nice little a bump up to 100 proof.

BenRiach 17 Year Old Septendecim Single Malt Whisky $84.99 - Straight-forward peated whisky from a Bourbon cask, this is a lighter, classic Highland-style whisky with a healthy dollup of peat on the back end. An oily, resinous note marks the finish. It's well-balanced and tasty from front to back and really adds to the Benriach portolio, which is becoming one of the strongest and most-impressive in the industry.

BenRiach 17 Year Old Solstice 2nd Edition Single Malt Whisky $99.99 - This peated, port-finished malt from Benriach is an absolute home run. It's got rich, dark-fruited flavor and blast of campfire smoke on the finish. It's a straight-up challenge to Lagavulin 16 in style, with both the richness and the peat--and it's better executed. Really good stuff. This is what I wished the Laphroaig Cairdeas would have tasted like!

Oh…and if you missed out on the Cairdeas, David OG just got another 60 bottles in Hollywood

BenRiach 25 Year Old Authenticus Single Malt Whisky $279.99 - The Authenticus is a mature, peated malt from Benriach that offers more wood than the 17 year expression and a softer touch of peat. It's serious whisky and really calls into question some of the higher priced competitors who are offering similar styles of whisky for much higher prices. Benriach really dialed it in with this whisky.

We also have a peated cask on the way just for K&L. Good times ahead.

-David Driscoll


Bryan Davis Returns Again

From the darkness, there emerges a new light.You may remember our friend Bryan Davis -- the madcap, romantically-inclined dreamer/distiller who built a steam-powered still out of wood in the middle of a Salinas artichoke field and decided to make 100% California, peated single malt whisky. He's untraditional, unapologetic, and a bit unorthodox, but he's one of the most exciting and unpredictable producers I've ever met. I won't see him for months and then he'll just pop into the store unannounced with a bottle of something new to try. When I saw him in the Redwood City store this week he not only had a bottle of rum in his hand, but one crazy whopper of a story as well.

I had heard the rumors, but Bryan was here to confirm them: he was indeed forced to bulldoze his entire operation. Why? Because of TCA, or as we call it in the wine industry: cork taint. The TCA gets into the wood, the wood gets turned into cork, the cork goes into the bottle, and the wine gets spoiled. In this case, the TCA got into Bryan's still and his barrels, rendering his entire operation and all of his mature whisky useless. There is a swimming pool nearby the location of Bryan's former still. The chlorinated water from that pool somehow leaked into the ground and began mixing with the dried leaves and other matter in the dirt. Chlorophenol becomes TCA when it interacts with airborne fungi, so without being aware of it, Bryan's pool was creating a den of cork taint right below his wood-built operation. Tens of thousands of dollars later, Bryan was left with a mound of rubble.

Bryan's cryptic photo of his new stillLike a phoenix rising out of the ashes, Bryan got right back to work and built a new still out of copper; a better, more powerful machine ready to tackle more traditional spirits in a traditional manner. He decided to invest in some Grade A molasses from Domino and try his hand at rum. Rum is not normally distilled from Grade A molasses, however. It's usually distilled from fresh sugar cane juice (agricole), the honey from the boiled sugar cane juice (Ron Zacapa), or black strap molasses (what's left after the first five rounds of molasses have been sulphured to death and every last crystal of sugar has been scraped free). Grade A represents the class of molasses before all that reduction has taken place. It's the kind you could put on your pancakes. Bryan distilled his Grade A molasses to a high proof and matured the spirit in new American oak, seasoned with sherry. The result is something in between Smith & Cross and El Dorado: big richness, big alcohol, big funk.

The result is exactly what you would expect from a navy style rum, but it has something earthy and bizarre that lets you know who made it. It's easily adaptable into a standard cocktail like a Dark and Stormy, but also capable of lending new perspective into something like a Mai Tai. It's already in the bar at Smuggler's Cove and it's already lining the shelves of our San Francisco store. Also, in classic Bryan Davis fashion, it's affordable and well-priced for the size and scale of the operation: $44.99.

We've got a few right now. We'll have a lot more soon.

I'll also have a lengthy interview with Bryan in the near future, breaking down all of this madness into minute detail. Stay tuned!

-David Driscoll



If you have relationships in your life with people, and a relationship with booze in all its forms, you've probably noticed some similarities in the way both have made you feel over time. I was thinking about this idea while running this morning. I've had a number of friends come and go in my life; some of them parted on bad terms, others grew apart, and some passed away. Nevertheless, we spent time together at some point – for years, or maybe just a few days – and they impacted my life in some shape or form. In breaking down the different types of experiences I've had with people over the last three decades, I can probably apply all of those situations to booze as well. You tell me: am I talking about a person or a bottle of whiskey?

The Honeymoon Period Friend - You just met someone and they're super-cool, exciting, and fun. You hang out all the time for a week or two, but then you realize this person isn't as great as you thought they were. You discover some uncomfortable secret about them that wasn't apparent at first and it totally kills the buzz. A few weeks later you're no longer calling that person and you never see them again.

Early Friends Who Change Over Time - You have a friend that you've known since you were young and shared early experiences with, but now that you're older you realize that whatever you once had in common is no longer enough to continue maintaining a strong relationship.

Friends That Are Fun, But Not Close - Some people you know are great to hang out with after work or on a more casual basis. You don't ever talk about anything serious, but you share a few superficial interests and that's enough to create a few great hours of fun.

Friends That You Lose - Sometimes we lose a friend to a tragedy, long before their time. We mourn these relationships often because they were so good for so long and we weren't ready for them to end.

Friends That Get High And Mighty - Some of our friends achieve success in life and forget about the people who truly care for them. They're so worried about money and fortune that they lose track of what actually made them interesting.

Friends That No One Else Likes, But You Do - We all have that friend that no one understands. "How in the hell can you stand that guy?" our other friends ask. Nevertheless, we find something redeeming about them.

Friends That You Might Be Embarrassed Of - Maybe in high school you had a friend that you knew from class, but who didn't fit into your social group. When other people made fun of that friend you struggled with standing up for their reputation as a cool person, or risking being seen as someone uncool for doing so.

The Friend That Changes Your Perspective - We've all met a person who was so different from us that we couldn't understand where they were coming from. Over time, however, we began to respect and enjoy their unique perspective and original qualities.

Friends You Feel Sorry For - Some of our friends go down paths that are darker than others. When they emerge years later they're a shell of what they once were. They look the same and they have the same name, but the person you once knew no longer exists.

I can name multiple friends from my past who fall into each of these categories. Likewise, I can think of a wine or whiskey that also fits into these descriptions. Maybe that's why we love booze so much: because there's something so human about our relationship with it.

-David Driscoll



Human beings in general seem to love order (or maybe it's just an American thing). I don't mean "order" as in law and order, or a system of checks and balances, but rather as in succinct, reliable, rules-of-thumb that are the end-all, be-all answers to things. Eat this and you'll be healthy. Eat that and you'll be overweight. Follow these rules and you'll get into heaven. Break these rules and you're going to hell. The idea that there may not be one clear-cut way of doing things in life is enough to send most people into convulsions. Most of the time when I listen to people argue, or read antagonistic comments online, it stems from a disagreement as to the way things work. People cling to what they know--their experiences and beliefs acquired through living--like security blankets, and if you take that blankee away from them, forcing them to consider another point of view, it can be scary.

Every day it seems that someone has a new theory about how our bodies react to carbs, fat, and processed sugar. Or a new theory about the best forms of exercise. Or a new idea about how to raise your kids. Or a new concept about keeping your relationship exciting. Some of these people seem to write as if their answer is the one correct choice. They publish guide books to help the general public understand why their answers are correct. I get a bit nervous, however, when people look to someone else's rules for their own well-being. Not everyone interprets these theories as a guideline or advice, but rather as answers. A final truth. Some followers internalize these concepts and proselytize with blind fury, mainly because (I think) the idea that these answers may not be definite scares the hell out of them (that or they just like to pick fights, but that's an entirely different conversation). The more we repeat these theories and argue in their favor, the more comfortable we feel about their validity.

The wine and spirits world, because so much of it is based on opinion and personal taste, is constantly searching for new ways to objectify things and organize it all into one tidy little package. We want to simplify whisky into categories and geographical regions that make sense. In the Highlands they do it this way. On Islay, they do it that way. Many wine regions in the world have laws that force producers to keep things traditional, but even within these confines there can be a gigantic variance between the final products. I have been asked repeatedly over the last few years if I would be interested in writing a book--both by publishers and friends who have experience in the industry. My answer has always been "no," simply because I don't believe that there's anything else to add to the genre. We know where whisky is being made. We know where grapes are being grown. To try and summarize what I know about wine and spirits into a book is pointless because it would be outdated from the moment I was finished writing it.

There are five whisky regions in Scotland: the Highlands, Speyside, the Islands (and Islay), the Lowlands, and Campbeltown. You would be doing yourself a great disservice, however, by trying to understand Scottish whisky in these terms. None of these regions has any system of order. Producers are free to make whatever type of whisky they want and many of them do. While there are historical precedents and traditional practices associated with each region, the industry is not centered around these constraints. Peated whisky comes from the Islands? That's true. But it also comes from Ardmore, Benriach, Braeval, Edradour, Bladnoch, and Springbank--none of which are Island producers. That's not to say there's no reason to learn about the geography of Scotland and the history behind each region, it's just to say that you're never going to be able to summarize single malt whisky in that manner. Even within the workings of a single distillery there can be a large variety of different flavors, so the only way to understand a whisky is to taste each one and evaluate it on its own specific character.

But who has time to do that? Who has time to taste every wine from Bordeaux in 2010, then go back and taste each wine again in 2011, 2012, and 2013? No one, except for wine professionals, of course, and that's why these professionals write their summaries and guides: to save you time, money, and trouble. However, all three of those nuisances you're being relieved of are what build an understanding of wine and whisky. Tasting repeatedly creates experience, which allows for context, which results in wisdom. If there's one thing I've learned from tasting wine, it's that "good vintages" and "bad vintages" don't exist. Competent producers, however, do exist--those who are able to make good wine under a variety of conditions. Show me a "bad" vintage and I'll give you a great wine from it. You just have to know where to look. Avoiding a vintage all together because it's "not good" is some of the worst advise you can follow, yet it's something guide books will print to help quickly summarize and contrast vintages from one another. That's just one example of how a synopsis can be misleading.

There are great books out there about wine and spirits, but I personally find the best ones focus on history and tradition, rather than education and evaluation. I'm not a historian, however, and I'm not an expert on the cultures of other countries, so I've got no place publishing anything about those subjects. All I can do is offer my own personal thoughts about individual producers and explain how what they do affects flavor. We're living in a world with fewer and fewer boundries. You can buy Bourbon from Massachussetts. You can buy peated single malt from Oregon. You can drink gin from Barcelona, or Bordeaux-style blends from New Zealand. As culture continues to permeate the far reaches of the globe, traditions continue to change, expand, or morph into something new. Although it may be comforting to attempt an understanding based on clear concepts of evaluation, it's less and less the case that these evaluations hold true.

I find that a blog is a great way to stay current, up-to-speed, and in touch with the public. It's also free for anyone to read. There's so much to know and so much that I don't. I can't imagine ever being in a position where I'll be able to break spirits down into a simple and easy-to-understand lesson. If anything, I like constantly reminding people to forget the confines of what they think is true and open their minds to new ideas. It might be scary and daunting, but it's also exhilarating.

-David Driscoll